This paper presents the ontology of the synodic Venus cycle in the context of a third theory of physics (IJRAP #11, 2022) ignored by mainstream science, yet entering culture via the contemporary Tesla revival. The Hieros Gamos Project (2005-2019) marriage of image/text repurposed astronomical data and discoveries as tools for the kairos marriage of physics and art shattering boundaries between separate fields of scientific inquiry. With the purpose of grounding the Wolfgang Pauli prophecy of the Aquarian icon (IJRAP#10), a phenomenological experiment astronomically timing “co-creation with intention” to change the quality of the field by means of a release of quanta. human ritual proactivity to cosmic events triggering the electromagnetic force in the human body. This leap beyond Uncertainty into the Third space of “Aquarian Embodiment” accesses the bipolar “Electric Venus” worshipped by early inventors. Phenomenology produced as results indicates a resurrection of the Sumerian self-declared Queen of Heaven & Earth whose 20th century excavated mythology reveals the source of her magnetic attraction: Venus at helical rise following her “descent” into the interior conjunctio with the Sun. The eight-year Venus pentagram cycle as a sacred space for the transformation of desire into ART-I-FACT establishes Pauli’s vision of the wave collapse as a new quantum aesthetic reflecting the 1997 Seal of Solomon configuration between Heaven & Earth. Universally viewed for the first time in 2012, the objective assessment of this mystical science is presented in the context of a new goal for humanity: the quantum embodiment of a new modernism sourced in the marriage of polarities. Here is ontological proof that the pre-classical origin of electromagnetism as the third theory of physics establishes a universal body of wisdom.